Review of the play MMF, and other poly theater pieces
announcement about MMF, a new play in New York about a poly breakup?
Well, some of you went, and here's a review. A key excerpt:
By Allan Hunter
...Within the first 4 minutes of the lights going up, Dean states that he's missing someone he is "not supposed to miss", which both introduces [his] reminiscences and sets the emotional tone of the threesome's knotted tangle of unspoken rules and undefined obligations.
Mike Mizwicki, Courtney Alana Ward and Andrew Rincón gave a compellingly stark and believable portrayal of anguished individuals in interaction. Their respective characters, Dean, Jane and Michael, exuded a most infectious frustration that quickly made me want to backhand each of them in turn. Polyamory is a lifestyle choice that requires communication and emotional patience and honesty, a point illustrated in MMF by displaying the outcome of their absence. At no point did any of the trio attempt to discuss with the others what it was that they were doing and how they ought to go about doing it. Not once was the word "polyamory" mentioned, nor was there any sign at any time that they'd noticed that there exists a polyamorous community or that polyamorous people have issues that might be of concern to them. It was not obvious whether they'd ever discussed whether they would opt for sexual exclusivity among the three of them... but we see both Dean and Michael becoming upset when two of the members of the trio have sex in the absence of the third and again when one has sex with an outside person.
We observe them flying blindly in the fog, trying to relate to each other without definitions.... All three are immature and insecure; they badger each other, deliberately inflicting guilt or trying to evoke a sense of obligation as they pry at each other for reassurances that they then cannot believe....
MMF is a well-wrought drama rendered by the three actors in evocatively unsettling tones and phrases and punctuated with awkward pauses. The material is solidly and believably human, the characters three-dimensionally real. But, as my partner Anais remarked, "I'd hate for people to see this and think that this is what polyamory is like!" (I replied, "Yes, that would be as bad as seeing Romeo and Juliet and thinking, 'Oh, so that's what dating is like!'")...
Go read his whole review (Aug. 22, 2014).
Theater buff Mischa Lin of Open Love NY notes,
The play was pretty good, well-acted and one of the more realistic portrayals of a poly situation. I wish it had a little more awareness of polyamory, but this was a scenario where people just fall into it without the education and support of a community. From that perspective, The Three of Us, the winning play in my playwright competition [link], was a far superior play because at least one of the characters actually understood what polyamory is and acted with intention. Those are the stories that will be far more interesting than the accidental threesome stories we’ve seen so far in the vast majority of drama.
Another, more aware piece of theater is Lust & Marriage, a one-woman performance that played earlier this year in Los Angeles, Santa Fe, Seattle and Portland. From the show's description:
Here's a review by Ron Richardson; you know him from Cunning Minx's Polyamory Weekly (June 8, 2014).
A review by SeattlePolyChick (June 7, 2014).
And another, in Willamette Week (Jan. 14, 2014).
Interested in more poly theater? Here are all my posts tagged "plays" (including this one; scroll down).